I’M CONVINCED that the German interwar tendency known as die neue Sachlichkeit (The New Objectivity)was a kind of double portrait.

It was one of the biggest art scandals of the Weimar Republic. George Grosz, whose caricature-like figuration criticised the social and political realities of Berlin in the early 20th century ...

Neue Sachlichkeit/New Objectivity’ at New York’s Neue Galerie seethes with acid-tinged art — it’s both enlightening and infuriating ...

Highlighting such painters as Otto Dix, George Grosz and Max Beckmann, the Neue Galerie devotes a show to the German art ...

Mammen was associated with the New Objectivity, Symbolism, and Cubism and was contemporaries with George Grosz and Otto Dix. She studied at the Académie Julian in Paris and the Royal Academy of Fine ...