These final resting places are noteworthy for their displays of devotion, over-the-top imagery, and/or their famous residents.

In this brooding double bill, a super new work about a blood-soaked love-triangle is vividly and entertainingly brought to ...

“To bring in (someone) like Christopher Wheeldon and tell a story that’s diverse that the ballet world has shied away from, ...

Margot Fonteyn and Rudolf Nureyev following their performance in the Royal Ballet’s production of Romeo and Juliet at the Metropolitan Opera in 1965 - Bettmann ...

Margot was learning the second cast, you might say, and Nureyev was being his usual selfish, difficult self. He could be charming, and he could be humorous – and he could be a real sod.