At three intervals throughout Vijay Masharani’s eighteen-minute video Good Attack (2021), the camera fixates on a sign ...

Mimi Howard. Mimi Howard is a writer and critic based in New York whose work explores contemporary art and the legacies of critical theory, with a particular emphasis on moving-im ...

When I used the term “Muslim body” in my curatorial note* for an exhibition in New Delhi last year, I did not anticipate ...

Najrin Islam. Najrin Islam is a writer, curator, and film programmer currently based in London. Her writings have featured in ...

Throughout the film, Holman complicates the mechanisms of the close-up as a technique for accentuating intimacy—a window into ...

At this time when we are fighting an all out war against tyranny and oppression, it is extremely important that the picture of Negro women . . . be sharply drawn. —Elizabeth Catlett, 1945 application ...

MacKenzie River Foy (she/they) is a writer, archivist and multidisciplinary artist. World-building in community and with language, MacKenzie pursues the preservation of Black ecologies, histories and ...

“What do you see when you look at pictures of President Trump’s cabinet?” asks writer David French in an interactive web exclusive that ran in the New York Times’s opinion section in late April 2025.

At this time when we are fighting an all out war against tyranny and oppression, it is extremely important that the picture of Negro ...

Gervais Marsh. Dr. Gervais Marsh is a writer, curator, and scholar based in New York City, whose practice meditates on questions of relation, intimacy, and the limits of reconcili ...